The Shipping News by Annie Proulx

the-shipping-news I loved this book so much the first time I read it, I returned to page one to start over immediately those many years ago. The Shipping News is just as lovely the third time around.

There are so many reasons why I love this book. The Shipping News was the first book that I’d ever read set in Newfoundland — the place where my mother was born and raised — a place she fled as soon as she could, to find security and prosperity elsewhere in Canada.

The landscape and the sea and the weather are characters in this book set in a climate that’s harsh, cold, and fickle. The weather changes from fine to menacing to life threatening in an instant. The sea, as Proulx so beautifully describes it, is like Newfoundland’s blood and beating heart in one:

The long horizon, the lunging, clotted sea like a swinging door opening, closing, opening.

The quirky characters, with names like “Tert Card” and “Wavey Prowse” and the dialogue rendered in thick, Newfoundland vernacular rings true to my ear. In the presence of relatives, I’ve heard plenty of lilty, euphemism-laden, hard-accented English, spoken at such a swift cadence I’d have to translate for friends baffled by speed and slang. Proulx gets it right: “Oh yis, I sees him afore. In ‘ere the odder day wit’ Billy. ”

When we meet R.G. Quoyle, he’s unmoored, adrift, and bereft at the death of his philandering wife, Petal. He’s nothing like his father Guy Quoyle, an incestuous molester. It is Quoyle’s Aunt, Agnis Hamm, (Guy’s sister) who pries Quoyle out of his doldrums, insisting they try for a fresh start and return to the house of the Quoyles in Newfoundland.

The house is dilapidated and desecrated, tied down not only by the wire that lashes it to the rock, but by the spectres of the past — the molestuous crimes that took place under its eaves and stories of the “wracker” Quoyles — ancestors who too, lived to inflict pain and misery on others by luring boats on to the rocky shore to murder the occupants and pillage their cargo. I love the fact that it is the weather — a violent storm — that bursts the wire cables and demolishes the house, releasing R.G. and Agnis from the burdens of the past — allowing them both that fresh start in their lives.

Above all, this is a book about hope: about overcoming, about uprooting ourselves from suffering and misery and making change. It’s about that feeling of potential, that sense of belonging and camaraderie we feel when crowded with family and friends into a lively kitchen. It’s about the simple comforts of warm homemade bread, bakeapple jam, and tea — prophylactics to the ever-present damp and cold, and to whatever it is that ails you.

November and December, 2014

Creature comforts for Nolan Quoyle

“Oh! Wunnerful! Wunnerful food! They’s ‘ot rainbaths out of the ceiling, my son, oh, like white silk, the soap she foams up in your ‘and. You feels like a boy to go ‘mongst the ‘ot waters. They gives you new clothes every day. White as the driven snow. The television. They’s cards and games.”

“It sounds pleasant,” said Quoyle, thinking, he can’t go back to that reeking sty. “No, no. It’s not entirely pleasant. Bloody place is full of loonies. I knows where I is. Still, the creature comforts is so wunnerful I play up to ‘em. They asks me, ‘Who are you?’— I says ‘Joey Smallwood.’ Or, ‘Biggest Crab in the Pot.’ ‘Oh, ‘e’s loony,’ they think. ‘Keep ‘im ‘ere.’”

The Shipping News by Annie Proulx

The phrase, “go ‘mongst the ‘ot waters” and Nolan Quoyle’s joy at such a simple pleasure we take for granted, is something about this book that has stuck with me over the years since I first read it.

A bound prisoner straining to get free

The house was heavy around him, the pressure of the past filling the rooms like odorless gas. The sea breathed in the distance. The house meant something to the aunt. Did that bind him? The coast around the house seemed beautiful to him. But the house was wrong. Had always been wrong, he thought. Dragged by human labor across miles of ice, the outcasts straining against the ropes and shouting curses at the godly mob. Winched onto the rock. Groaning. A bound prisoner straining to get free. The humming of the taut cables. That vibration passed into the house, made it seem alive. That was it, in the house he felt he was inside a tethered animal, dumb but feeling. Swallowed by the shouting past.

The Shipping News by Annie Proulx

A bound prisoner straining to get free…That was it, in the house he felt he was inside a tethered animal, dumb but feeling. Swallowed by the shouting past.

Like the sea, with its heartbeat, the green house is alive; it’s a character in the book, though it’s not complicit in the horrors that happened under its roof.

The approximation of a Newfoundland accent

“Well, Agnis girl, what’ll you ‘ave today?” The waitress beamed at the aunt. “I’ll have the stewed cod, Pearl. Cuppa tea, of course. This here is my nephew, works for the paper.” “Oh yis, I sees him afore. In ‘ere the odder day wit’ Billy. ‘Ad the squidburger.” “That I did,” said Quoyle. “Delicious.” “Skipper Will, y’know, ‘e invented the squidburger. Y’ll ‘ave it today, m’dear?”

The Shipping News by Annie Proulx

This is the first true approximation of a thick Newfoundland accent in the book.

Agnis Hamm goes home

She had not been in these waters since she was a young girl, but it rushed back, the sea’s hypnotic boil, the smell of blood, weather and salt, fish heads, spruce smoke and reeking armpits, the rattle of wash- ball rocks in hissing wave, turrs, the crackery taste of brewis, the bedroom under the eaves.

The Shipping News by Annie Proulx

Petal Bear. Thin, moist, hot.

THEN, at a meeting, Petal Bear. Thin, moist, hot.

Grey eyes close together, curly hair the color of oak. The fluorescent light made her as pale as candle wax. Her eyelids gleamed with some dusky unguent. A metallic thread in her rose sweater.

Petal Bear was crosshatched with longings, but not, after they were married, for Quoyle.

While she remained a curious equation that attracted many mathematicians.

The Shipping News by Annie Proulx