For want of a good method

I have read many books, but to little purpose, for want of good method; I have
confusedly tumbled over divers authors in our libraries, with small profit, for want of art, order, memory, judgement. –Robert Burton, The Anatomy of Melancholy

The Library at Night by Alberto Manguel

Nazi book burning — the destruction of memory

With the emblematic book-burning in a square on Unter den Linden, opposite the University of Berlin, on the evening of io May, 1933, books became a specific target of the Nazis. Less than five months after Hitler became chancellor, the new propaganda minister of the Reich, Dr. Joseph Goebbels, declared that the public burning of books by authors such as Heinrich Mann,
Stefan Zweig, Freud, Zola, Proust, Gide, Helen Keller and H.G. Wells allowed “the soul of the German people again to express itself. These flames not only illuminate the final end of an old era; they also light up the new.””‘ The new era proscribed the sale or circulation of thousands of books, in either shops or libraries, as well as the publishing of new ones. Volumes commonly kept on
sitting-room shelves because they were prestigious or entertaining became suddenly dangerous. Private holdings of the indexed books were prohibited; many books were confiscated and destroyed. Hundreds of Jewish libraries throughout Europe were burnt down, both personal collections and public treasure-houses.

The Library at Night by Alberto Manguel

The library as resistance

Seven months after these directives were given, in September 1943, the Nazis set up a “family camp” as an extension of the Auschwitz precinct, in the birch forest of Birkenau, which included a separate block, “number 31,” built especially for children. It was designed to serve as proof to the world that Jews deported to the east were not being killed. In fact, they were allowed to live six months before being sent on to the same fate as the other deported victims. Eventually, having served its purpose as propaganda, the “family camp” was permanently closed.”‘While it lasted, Block 31 housed up to five hundred children together with several prisoners appointed
“counsellors,” and in spite of the severe surveillance it possessed, against all expectations, a clandestine children’s library. The library was minuscule; it consisted of eight books, which included H.G. Wells’s A Short History of the World, a Russian school textbook and an analytical geometry text. Once or twice an inmate from another camp managed to smuggle in a new book, so that the
number of holdings rose to nine or ten. At the end of each day, the books, together with other valuables such as medicines and bits of food, would be entrusted to one of the older girls, whose responsibility it was to hide them in a different place every night.

The Library at Night by Alberto Manguel

The alphabet came first

Tradition tells us that words, not light, came first out of the primordial darkness. According to a Talmudic legend, when God sat down to create the world, the twenty two letters of the alphabet descended from his terrible and august crown and begged him to effect his creation
through them. God consented. He allowed the alphabet to give birth to the heavens and the earth in darkness, and then to bring forth the first ray of light from the earth’s core, so that it might pierce the Holy Land and illuminate the entire universe.”‘

The Library at Night by Alberto Manguel

Borges goes blind while reading

Borges had inherited from his father the disease that gradually, implacably weakened his sight, and the doctor had forbidden him to read in dim light. One day, on a train journey, he became so engrossed by a detective novel that he carried on reading, page after page, in the fading dusk. Shortly before his destination, the train entered a tunnel. When it emerged, Borges could no longer see anything except a coloured haze, the “darkness visible” that Milton thought was hell. In that darkness Borges lived for the rest of his life, remembering or imagining stories, rebuilding in his mind the National Library of Buenos Aires or his own restricted library at home. In the light of the first half of his life, he wrote and read silently; in the gloom of the second, he dictated and had others read to him.

The Library at Night by Alberto Manguel

Rabelais’ imagination

Rabelais could read Latin, Greek, Italian, Hebrew, Arabic and several dialects of French; he had studied theology, law, medicine, architecture, botany, archaeology and astronomy; he enriched the French language with more than eight hundred words and dozens of idioms, many of which are still used in Acadian Canada.309 His imaginary library is the fruit of a mind too active to stop and record its thoughts, and his Gargantuan epic is a hodgepodge of episodes that allows the reader almost any choice of sequence, meaning, tone and even argument.

The Library at Night by Alberto Manguel

Maybe the Internet will deliver us?

Robinson Crusoe explains, “It may not be amiss for all people who shall meet my story to make this just observation from it, viz., how frequently in the course of our lives, the evil which in itself we seek most to shun, and which, when we are fallen into it, is the most dreadful to us, is oftentimes the very same means or door of our deliverance, by which alone we can be raised again.” This, of course, is not Crusoe speaking, but Defoe-the reader of so many books.

The Library at Night by Alberto Manguel

Recording the evolution of our intellectual creations

To this self-alienation we have now added
the alienation of our own ideas, and enjoy watching
the destruction of our own past. We no longer record the
evolution of our intellectual creations. To a future
observer, it will appear that our ideas were born fully
developed, like Athena from her father’s brow-except
that, since our historical vocabulary will be forgotten, the
cliche will mean nothing.

The Library at Night by Alberto Manguel