But compassion isn’t about solutions. It’s about giving all the love that you’ve got.
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
But compassion isn’t about solutions. It’s about giving all the love that you’ve got.
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
Don’t lament so much about how your career is going to turn out. You don’t have a career. You have a life. Do the work. Keep the faith. Be true blue. You are a writer because you write. Keep writing and quit your bitching. Your book has a birthday. You don’t know what it is yet.
Your assumptions about the lives of others are in direct relation to your naïve pomposity.
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
You might, for example, be interested to know that the word “prestigious” is derived from the Latin praestigiae, which means “conjuror’s tricks.” Isn’t that interesting? This word that we use to mean honorable and esteemed has its beginnings in a word that has everything to do with illusion, deception, and trickery.</
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
I talk to Mr. Sugar and my friends. I make lists. I attempt to analyze the situation from the perspective of my “best self”—the one that’s generous, reasonable, forgiving, loving, bighearted, and grateful. I think really hard about what I’ll wish I did a year from now. I map out the consequences of the various actions I could take. I ask what my motivations are, what my desires are, what my fears are, what I have to lose, and what I have to gain. I move toward the light, even if it’s a hard direction in which to move. I trust myself. I keep the faith. I mess up sometimes.
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
There’s a line by the Italian writer Carlo Levi that I think is apt here: “The future has an ancient heart.” I love it because it expresses with such grace and economy what is certainly true—that who we become is born of who we most primitively are; that we both know and cannot possibly know what it is we’ve yet to make manifest in our lives.
–Cheryl Strayed: Tiny Beautiful Things: Advice on Love and Life from Dear Sugar
WRITE EVERY DAY
Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts. Think of your laptop as a machine like the one at the gym where you open and close your inner thighs in front of everyone, exposing both your insecurities and your genitals. Because that is what writing is all about.
When I’m working on a story or novel, I set a modest daily goal — usually a page or two — and then I meet it every day, doing nothing else while I’m working on it. It’s not plausible or desirable to try to get the world to go away for hours at a time, but it’s entirely possible to make it all shut up for 20 minutes. Writing a page every day gets me more than a novel per year — do the math — and there’s always 20 minutes to be found in a day, no matter what else is going on. Twenty minutes is a short enough interval that it can be claimed from a sleep or meal-break (though this shouldn’t become a habit). The secret is to do it every day, weekends included, to keep the momentum going, and to allow your thoughts to wander to your next day’s page between sessions. Try to find one or two vivid sensory details to work into the next page, or a bon mot, so that you’ve already got some material when you sit down at the keyboard.
Leave yourself a rough edge
When you hit your daily word-goal, stop. Stop even if you’re in the middle of a sentence. Especially if you’re in the middle of a sentence. That way, when you sit down at the keyboard the next day, your first five or ten words are already ordained, so that you get a little push before you begin your work. Knitters leave a bit of yarn sticking out of the day’s knitting so they know where to pick up the next day — they call it the “hint.” Potters leave a rough edge on the wet clay before they wrap it in plastic for the night — it’s hard to build on a smooth edge.
–Cory Doctorow, http://www.locusmag.com/Features/2009/01/cory-doctorow-writing-in-age-of.html